![]() ![]() Developing some of the current concerns in literary, postcolonial and ecocritical studies and interweaving them with maritime, island, tourism and animal studies, this article endeavours a close reading of three francophone novels from the Indian Ocean region: Ananda Devi's La Vie de Joséphin le fou (2003), Amal Sewtohul's Histoire d'Ashok et d'autres personnages de moindre importance (2001) and Nathacha Appanah's Blue Bay Palace (2004). postcolonial ecocriticism have also accredited tropical islands with pioneering debates on environmentalism, sustainability and conservation concerns, even if the former have espoused a predominantly terracentric focus. ![]() More recent scholarship on both American and. Much ink has been spilled on the creolizing potential of sites like islands, archipelagoes, ships and ports as they redefine the cartography of postcolonial studies. Over last two decades, the oceanic world has expanded considerably the scale of literary studies and challenged the field's landlocked notions of national, ethnic or cultural belonging. The fourteen chapters are conceptually framed through the lens of the Chinese term huanjing (environment or “encircling the surroundings”), a critical device for imagining the aesthetics and politics of place-making, or “the practice of environing at the margin.” The discourse of environing at the margins facilitates consideration of the modes, aesthetics, ethics, and politics of environmental inclusion and exclusion, providing a lens into the environmental thinking and practices of the world’s most populous society. studies, religious studies, minority studies, and animal or multispecies studies. As the first collaborative environmental humanities project of this kind, this book brings together sixteen scholars from a diverse range of disciplines, including literary and cultural studies, philosophy, ecocinema and ecomedia. Reading this text from an ecological perspective invites recognition of the ambiguity of human place in the world, transient yet earth-changing, and of the ethical challenges in caring for global neighbours in the face of growing environmental pressures.Ĭhinese Environmental Humanities showcases contemporary ecocritical approaches to Chinese culture and aesthetic production as practiced in China itself and beyond. These characteristics are set within the context of the cosmos as a stable and ordered whole, obedient to God, and of the responsibilities stipulated in the Torah to deal rightly with one’s neighbour. The poem’s description of the creation of humankind suggests both human finitude, a characteristic shared with other life forms, and the uniqueness of the divine image in human beings. ![]() Preceding sections of Sirach include discussion of human significance ‘in a boundless creation’ and human free will and moral responsibility, and these themes are developed in the poem itself. The text is significant for such a purpose because of its reuse of the Genesis creation accounts, in particular the notion of human beings as the image of God and with dominion over creation, which has caused some critics to label the biblical accounts as exploitatively anthropocentric.
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